Tag Archives: travel blog

51

Further observations of Oklahoma:
The landscape, geography, topography smoothing out, like two ends of a coil pulled farther and farther apart. Slowly. Mile after mile. The hills longer. Gentler. Not so sharp and jagged, but worn like an old, old saw blade.

Hay baled in bales, each rolled up like a single piece of taffy and placed musically throughout their fields, like the pits in the plates of an antique music box, ticking little teeth to play a silent score. The score of the tractor and the farmer, the flycatcher and kingbird, of the changing seasons, and, once, of the sweat and toil that is still practiced in small pockets, remote areas of the world where the people still rely on milk from their cows to survive the winter, and the hay that they grow sustains them in their mountain villages. It is a music that often isn’t heard, and one need no musical instruments to play it, nor a knowledge of theory or scales to understand it. It is the rhythm of a life lived simply, and it is felt in the blood and in the skin.

The ancient windmill erect and lonely in a field of wheat, it’s blades twisted and broken, no longer spinning freely, exuberantly in the rushing wind, but dangling from its axis like the shadow of a Calder mobile—sad, and delicate, and beautiful—or like Nanantatee’s “poor broken crutch of an arm” in H. Miller’s Tropic of Cancer.

The butterflies, just the size of a quarter, in chalky shades of yellow, blue and brown,
that dance across the highway, some singly, others in pairs—a duet in four dimensions, turning round and round and round each other, swooping up and down in elegant dress, like some Japanese in his-and-hers best kimonos celebrating the new day like it is a new year.

The little beetles with their glinting, hard carapaces that shine like plate armor, skittering across the road, legs moving like a pianists’s fingers playing a prestissimo.

The traffic on the interstate, which parallels route 66, and seems to sail by in the distance like ships on an horizon.

Clouds at the end of the day which look as if they were applied to the sky with a palette knife—a steely, grey-blue smeared onto an aged, slightly yellowed canvas.

Fields of wheat, golden-blonde and pea-green shimmering under the afternoon sun, every stalk leaning in unison with the wind, beautiful like a head of hair, like the Greek gods, like cracked and ancient pottery, like archaeological sites going on and on seemingly forever like the Euphrates and Tigris rivers through Mesopotamia when giants still strode the land.

A sign advertising astronaut Thomas P. Stafford as from Weatherford, OK,
And another sign advertising Garth Brooks as from Yukon.

46

Yesterday cycled over the Boston Mountains, the most western mountain range within the Ozark Plateau. I thought it to be pretty easy, but my expectations of difficulty were quite high after reading other persons’ online acccounts of having cycled them.

Traffic was light, as most drivers opt to take a faster route along the interstate which more or less parallels Route 71, north-south, linking the Fort Smith area to Fayetteville.

It was gorgeous.

Everywhere but for the road winding up the mountains in front of me was fluffy, white clouds obscuring a blue sky, sunlight intermittently throbbing through the occasional break in the clouds, like catching a glimpse of a beating heart through gaps in a shroud of pericardial tissue; the greenery of trees rising up on either side of me or, sometimes, only on one side of me as in places the lower slope of the mountains fell precipitously and only the tops of those trees there were capable of reaching up to me; and broad rock faces in a multitude of grey and brown hues, some cascaded over with water, some merely trickling with water, some moss and lichen covered, some dry and bare, appearing so hard, so solid that one couldn’t ever imagine them being worn away, even over the course of millennia of millennia. No noise but for my tires on the asphalt, the birds in the trees, water playing over rocks, rushing through culvert and gully, and the occasional truck or car, or gang of motorcycles.

At the highest point of the climb is a small, antiquated gift shop and museum. Nothing of interest there beyond the view overlooking Fort Smith Lake, and other ridges of the mountain range carpeted thickly in oak, hickory, pine and cedar. The “museum” itself is a bit peculiar, but worth the five or ten minutes it takes to look around. It is a small room to the right of the entrance of the building, all the walls lined with tall glass cases, the glass cases filled with everything from stone arrowheads, to antique dolls, antique condiment containers, kerosene lamps, pistols, leatherwork, farm implements, a four foot long rattlesnake preserved in a narrow, glass tube, an even longer rattlesnake skin, killed on the property, mounted on a board, the head of an old show horse that had performed on the property for twenty years before it died of what (and when), I don’t know….

In the store one could purchase tumbled stones, raw stones, geodes to crack open, hummingbird feeders, cedar blocks for smoking food, etc., jams, jellies and sauces, dolls, walking sticks. It was a quiet place, though I imagine it saw a lot more business before the interstate was built a few years back. Now that has become the main north-south artery for the region and few people travel this road. It’s great for cyclists, but not at all good for the few businesses that relied on that regular traffic. There are a good many derelict motels, inns and other buildings that I passed along the ridge. Now, I suppose it is considered the slower, scenic route, but most of the time that’s not what most people want. They want to get from point A to point B as quickly and efficiently as possible, granted, I’m betting the views from the interstate aren’t too bad.

I wonder what will become of Artist’s Point in another five or ten years.

33

Camping at my first church since I was in North Carolina.

Many miles today. Miles through bleak suburbs choked with strip malls, empty parking lots, bad traffic, bad shoulders, familiarity and despair. Miles through farmland; wide, open spaces; countless cows grazing the lush, green pastures that are everywhere speckled with flowers—purple, waxy-yellow, and chalky-white—like a million smiling faces, and, when the wind blows, a million waving hands like those from the friendly drivers who pass me opposite; the wire fences; copses of trees; the grey clouds bunched, bulging, heavy with rain that never falls, stretching on forever all day. Miles, though fewer, through the cityscape of Selma, her streets and buildings saturated in civil rights history; boarded up houses; nice, clean, proud houses with neat landscaped yards; empty buildings; broken windows; no doors; amicableness; amiableness; junk cars; the criss-cross of railroad tracks; the Edmund Pettus Bridge where the blood flowed one day like the river runs beneath it; marvelous architecture; and damn good ribs. I also saw a banner, on it the word HOPE. More and more large towns and small cities I see today are full of hope, and desire change. Call it “the people.” They are the hope. The people are the ones, the only ones, who have the capability to turn around a city’s fortunes, and they must turn it around, because if not, then what does this word, “hope” mean, what is it for, and what does it represent? It is like a false idol which one worships, makes offerings to on every first and third Sunday, and second and fourth Wednesday. It is a place where the people might get together to sprinkle water, light incense, and talk. Talk, talk, talk; and talk is just masturbation. There is a sprinkling of seed, sure, but no fertile ground for it to settle, fertilize and grow. It brings forth no fruit, bears no children. It merely feels pleasant for a short while. It is a drug. And an addictive one at that because it requires a minimum of effort and no commitment. It is a mouth that talks, yet has no voice.

Where there are people there is hope. But where there are people there is, too, complacency.
 


 
A bug shimmers under my light, wings and carapace glinting. It flies ever so lightly, so gently, into the mesh door of my tent — bounces away into the dark. God, what magic this world contains. Magic on the minutest scale. It is not necessary that there be large explosions and a shower of sparks, though that is fine too. There is magic right under our noses. The real magic is in the looking.